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New site? Maybe some day. Username: SPAM Filter: re-type this (values are 0,1,2,3,4,5,6,7,8,9,A,B,C,D,E, or F) Message: UBB enabled. HTML disabled Spam Filtering enabledIcons: (click image to insert) Show All - pop Select Color orange orange-red crimson red firebrick dark red green limegreen teal silver sea-green deeppink tomato coral purple indigo burlywood sandy brown sienna chocolate FONTXXSmallXSmallSmallMediumLargeXLXXL :DG: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Char† ‡ ‰ ♠ ♣ ♥ ♦ ‾ ← ↑ → ↓ ™ – —   ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­ ® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ b i u  add: url  image  video(?) : post by ArrowHeadNLI at 2011-03-25 14:25:02 For the record, people that say tiggers make you faster, or better, or are cheating, are idiots. Period. Trigger makes about as much difference in your playing as the mic the soundguy chooses to stick in your bass drum. At least with a trigger, YOU control this choice - not him. A trigger doesn't effect your playing. It just effects the final sound. Cheating with a trigger, - IE using constant velocity to maintain an even kick sound, is NOT DIFFERENT than the soundman slathering compression on your acoustic kick to attain the same fucking result. Difference is, when the soundman fixes it you can play ignorant, and pretend there's nothing wrong with your technique. Whereas with a trigger, you ARE admitting your deficiencies by consciously compensating.

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