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New site? Maybe some day. Username: SPAM Filter: re-type this (values are 0,1,2,3,4,5,6,7,8,9,A,B,C,D,E, or F) Message: UBB enabled. HTML disabled Spam Filtering enabledIcons: (click image to insert) Show All - pop Select Color orange orange-red crimson red firebrick dark red green limegreen teal silver sea-green deeppink tomato coral purple indigo burlywood sandy brown sienna chocolate FONTXXSmallXSmallSmallMediumLargeXLXXL :DG: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Char† ‡ ‰ ♠ ♣ ♥ ♦ ‾ ← ↑ → ↓ ™ – —   ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­ ® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ b i u  add: url  image  video(?) : post by DestroyYouAlot at 2009-11-25 12:19:52 Martins said [orig][quote] Melodic minor isn't really a scale in terms of 1 2 3 4 5 6 7 etc. It was a chordal application in minor. The 7 always had to be sharp if it was moving from 7 to 1. (Which is where the harmonic minor comes from.) On the way down, you play the natural 7 and move to 6. In Classical music. Technically speaking this is the traditional application of melodic minor, but in actual composition the 7th can be played in either (or both) positions going up or down the scale and still be considered melodic minor. Passing tones FTW. martins%20the%20metal%20enthusiast said [orig][quote] hey gauyz i like metal too like hatbread so cool right gauyz Hatbread reference F T double W.

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