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:	post by ShadowSD at 2009-11-24 19:26:18

Actually, the examples I cited are situations where a fifth is BETTER than the tritone despite the fact that the tritone is in the key and the fifth is not - but I'm guessing when you said harmonized fifths you actually mean not a single guitarist playing a power chord but harmonized fifths as in two guitarists harmonizing a melody, and there I agree with you completely; guitar harmonies are meant to be a blend of thirds and sometimes fourths, but not exclusively either one. If someone is just harmonizing a solo using fourths exclusively (or their inverse, fifths exclusively), it sounds retarded: a well-known example of this would be the Zombie solo from The Cranberries. Conversely, as earlier noted, doing a third (or its inverse, for the matter, a sixth) can't be done ALL the time either, as it sounds bad when it violates the overriding chord.

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