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New site? Maybe some day. Username: SPAM Filter: re-type this (values are 0,1,2,3,4,5,6,7,8,9,A,B,C,D,E, or F) Message: UBB enabled. HTML disabled Spam Filtering enabledIcons: (click image to insert) Show All - pop Select Color orange orange-red crimson red firebrick dark red green limegreen teal silver sea-green deeppink tomato coral purple indigo burlywood sandy brown sienna chocolate FONTXXSmallXSmallSmallMediumLargeXLXXL :DG: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Char† ‡ ‰ ♠ ♣ ♥ ♦ ‾ ← ↑ → ↓ ™ – —   ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­ ® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ b i u  add: url  image  video(?) : post by Niccolai at 2007-01-16 22:45:54 porphyria said: http://www.temol-no.com/ - now you can have the best of both worlds. fixed bridges are obsolete with this imo. I re-use broken strings if they just snap at the trem and have no problems bringing it back to correct pitch. If you have no idea what you're doing with trems then I can see it being a pain sometimes. No probs here. IMO, the tremol-no is obsolete for people who prefer fixed bridges. You can enjoy the theory of a fixed bridge, without the added bonus of neck angle, headstock tilt, palm feel, bridge height adjustment, feel, restring ease, and NOT having a guitar with a swimming pool routed into it. the tremolno is handy for string changes and opening beers, but that's about it.

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